The X-Factor

Text & Photos by Fred Berger

Darkwave favorites Xmal Deutschland and Clan of Xymox

Keywords: Xmal Deutschland, Anja Huwe, Clan of Xymox, Anke Wolbert, New York nightclub The World, New York nightclub The Downtown Club, 4AD Records, darkwave

Xmal Deutschland, Anja Huwe, darkwave, The World nightclub, New York City 1985. This vertical Black & White photo depicts singer Anja Huwe of the German darkwave band Xmal Deutschland. She is on stage at The World nightclub in the East Village of New York City. She is young, pretty, blonde, and petite. Her hair is longish but doesn’t quite touch her shoulders. She wears a plain black long-sleeve blouse, gray military style riding breeches, a black leather waist belt, a black leather wrist band, and black patent leather shoes. Her mouth is open in mid-song, her arms are extended to either side of her, her knees are slightly bent, and her feet are together. She is visible from head to foot. The guitarist is half visible in the background on the left, and on the right edge of the photo the bass guitar and a hand playing it are visible. Part of the drum set is visible on the right in the background. A white movie screen takes up half the background from the center to the right. A tall ladder leans against a dark wall behind the guitarist. The photo is illuminated by a camera flash. (Photo and copyright by Propaganda publisher and editor Fred Berger)
Anja Huwe of Xmal Deutschland performing at The World nightclub in New York City in 1985. (Photo & Copyright © by Fred Berger)

“X” in scientific terms represents an unknown quantity or phenomenon, and this certainly was the case at the inception of the darkwave bands Xmal Deutschland and Clan of Xymox who laid the foundations of that avantgarde genre. In search of this origin point, I recently delved deep into the Propaganda archives and uncovered long-unseen photos of Xmal’s front woman Anja Huwe and Xymox’s lead musician Anke Wolbert. They depict the former in concert at The World nightclub in 1985 and the latter at the Downtown Club in 1989, both noteworthy underground venues in Lower Manhattan. When it comes to Euro darkwave, there was nothing like these two beautiful blonde sirens luring us into a parallel dimension of mystery and enchantment. They were the epitome of the genre’s melancholic intellectual and aesthetic sophistication, as were their corresponding groups.

Clan of Xymox, Anke Wolbert, darkwave, Downtown Club, New York City 1989. This vertical Black & White photo depicts singer and bass player Anke Wolbert of the Dutch darkwave band Clan of Xymox. She is playing a bass guitar at the Downtown Club in Lower Manhattan. She is slender and has short blond hair. She wears a black tank top with a white ink print that consists of a circle, two women inside the circle, and the words "Smart Bar" at the top and "Chicago" at the bottom. The bass guitar’s body is white with a black panel and the neck is also black. Anke looks down at her left hand as she plays. She is visible from the lower torso up. In the foreground are the backs of the heads of two fans with bushy dark hair. Four equidistant circular ceiling lights run across the top of the background from left to right in a straight line. The background is black with Xymox’s large circular logo barely visible behind Anke. The photo is illuminated by a camera flash. (Photo and copyright by Propaganda publisher and editor Fred Berger)
Anke Wolbert of Clan of Xymox playing at the Downtown Club in New York City in 1989. (Photo & Copyright © by Fred Berger)

Both bands came out of the early ‘80s 4AD school of alternative music, with Xmal based in Hamburg, Germany and Xymox originating in Nijmegen in the Netherlands. After achieving international notoriety and receiving extensive coverage in Propaganda Magazine, by the start of the next decade Xmal had disbanded and Xymox morphed into a typical goth act, prompting the departure of the maverick Anke. The latter group continues to this day with guitarist/singer Ronny Moorings still at the helm and Anke pursuing a cross-disciplinary artistic career. For her part, Anja Huwe declined to launch an Xmal revival and has devoted herself to abstract painting. If I were to select the two songs that best demonstrate the singing and song-writing prowess of these two remarkable women, it would be Xmal’s 1982 hit single “Incubus Succubus” and Xymox’s 1989 hit single “Imagination.”


Content © by Fred Berger

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